The Voice of the Orchestra
Few sounds are as moving and majestic as a full choir resounding through the vast space of Stage A at Vienna Synchron Stage. The voices of the Vienna Synchron Choir and the “Gumpoldskirchner Spatzen” children’s choir bring a powerful, emotional dimension to the Big Bang Orchestra – a sound that embodies human warmth, spiritual depth, and cinematic grandeur. From whispered harmonies to triumphant tuttis, these performances elevate any production with life, color, and expressive resonance.

Flow of Voices
BBO Choirs includes the complete sample content of the previously available BBO Packs Ganymede (Choirs) and Ymir (Children’s Choir) in one easily accessible package. Enhanced by our new Flow View for intuitive browsing and an uninterrupted creative workflow, this comprehensive collection provides effortless access to a universe of choral expression – from intimate textures to awe-inspiring massed voices.

Tutti and SATB Choirs
Choirs have always been a timeless symbol of emotion and power in music – and the Vienna Synchron Choir captures that essence with unmatched clarity and precision. Drawing from their experience for major film and game soundtracks, these singers deliver expressive, cinematic performances in a refined modern style with controlled vibrato and clear diction. 

Children’s Choir
The Children’s Choir recordings feature the internationally acclaimed Gumpoldskirchner Spatzen, one of Austria’s most celebrated youth choirs with over 70 years of history. Having performed with luminaries such as Leonard Bernstein, Sir Georg Solti, Claudio Abbado, Diana Ross, Michael Bolton, Charles Aznavour and appearing on film scores including Lego Batman, Made in Abyss 3, and Christmas Chronicles, these young voices bring both joy and professionalism to every performance.

Twenty-four singers aged 8 to 14 filled Stage A with radiant energy, performing with focus, discipline, and genuine musicality. Their sound – bright, transparent, and ethereal – adds a layer of innocence and emotional purity that perfectly complements the grandeur of the adult choir.

The children performed sustains and legatos on vowels AA and UU, as well as humming (MM), with additional attack consonants L, B, and N to shape natural syllabic phrasing. The result is a beautifully playable collection that brings warmth, light, and angelic radiance to your orchestral writing – the unmistakable sound of youthful voices resonating in Vienna’s iconic scoring stage.